Color correction for a filmmaker can sometimes prove to be one of the more frustrating steps in postproduction. Some times you find that you will finish color correcting a scene and walk away satisfied just to come back to it with fresh eyes and realize that it is a yellow mess. Especially for a jack of all trades or a student filmmaker this tutorial by DSLR Guid’s Simon Cade will prove helpful in making the color in your films more cinematic.
- Using vector scopes and wave forms
- Masking out skin tones
- Changing color temperature
- Be creative when coming up with color pallet of your film